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August 1, 2008
Earth, Wind & Fire as good as ever
By Barb Van Atta
Press & Sun-Bulletin
Is there a man -- or woman -- on the concert circuit today with a better set of pipes than Philip Bailey?
Earth, Wind & Fire's lead singer dazzles equally with the rich, warm baritone he uses to start off ballads and the awe-inspiring falsetto he tosses off as easily at the end of a concert as at the beginning.
Nothing compares to those stratospheric riffs, with which Bailey decorated such E,W&F classics as "Sing a Song," "Shining Star" and "Reasons" ... except, perhaps, the amazing instrumental solos woven throughout last night's sold-out concert at Binghamton University's Anderson Center.
I've always been a sucker for a sax solo, and, in "Shining Star," saxophonist Gary Bias had high notes to rival Bailey's. His skill was matched on "Misery" by the muted trumpet of Bobby Burns Jr. and the proficient playing of keyboardist Myron McKinley.
Trombonist Reggie Young was downright merry paired with guitarist Morris O'Connor; guitarist Greg Moore turned in a razor-sharp blues solo; John Paris was solid on drums.
And as for Verdine White, bassist for the band since 1970, I've never seen anyone who has so much fun when in the solo spotlight. He was skipping and grinning and wagging his finger, all the while bringing amazing tone from his instrument during another crowd-pleasing hit, "Serpentine Fire."
What am I saying? Everything pleased the crowd, which was announced to be the largest ever at an Anderson Center concert. These folks were on their feet when the band took the stage, and stood up again and again to boogie and wave and sing along.
Audience participation was encouraged by Bailey, White and fellow core member Ralph Johnson. Both Johnson and David Whitworth have strong vocals and impressive percussion skills; Whitworth also is a perpetual motion machine and a bit of a prankster on stage.
Concert-goers were treated to all of their favorites: the up-tempo "Fantasy," "September," "Got to Get You into My Life," "In the Stone" and, during the encore, "That's the Way of the World," and ballads such as "I'll Write a Song for You" and "After the Love is Gone."
Audience members were a mix of middle-age (or more) contemporaries of the band -- Bailey, White and Johnson are in their mid- to late 50s --and a new generation of fans drawn to the band's unique blend of disco, R&B, funk, jazz and blues.
Circuit City and its like better be well-stocked in Earth, Wind & Fire CDs; I predict high demand today.