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Parmi les plus belles mélodies de Mozart, je cherche "Cosi fan tutte" et "La flute enchantée".
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Mozart, le plus grand des musiciens classiques
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wow. Cherubino's voice is magnificent--but, would the Countess really let herself be touched by him? Would she get so noticeably aroused? The interpretation seems to throw out Mozart to concentrate on the scene's erotic potential, which I figure is the reason for Susannah's bosoms to be dangling over the guitar. I think it's dull--the sexuality of the scene is more exciting when Susannah and the Countess are depicting toying with the child. Here it seems Susannah and Cherubino are toying with... More...
wow. Cherubino's voice is magnificent--but, would the Countess really let herself be touched by him? Would she get so noticeably aroused? The interpretation seems to throw out Mozart to concentrate on the scene's erotic potential, which I figure is the reason for Susannah's bosoms to be dangling over the guitar. I think it's dull--the sexuality of the scene is more exciting when Susannah and the Countess are depicting toying with the child. Here it seems Susannah and Cherubino are toying with the Countess. (And, are Cherubino's clothes supposed to accentuate the singer's femaleness?) Funny, the staging cuts so much against the grain of the conception, and yet the arrangement of the piece is so conventional, even a bit stodgy--thankfully!
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warm, powerful voice, a slower tempo tends to leach out some of the song's passion, which someone (the director?) attempts to reintroduce through some ridiculously ill--considered acts of vandalism. The idea that Figaro loses control and smashes Susannah's guitar during Se Vuol Ballare is stupid. How does he recover himself in time to master Cherubino in Non Piu Andrai? Well, idiotic staging aside, nice voice, worth a listen.
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"Deh vieni non tardar..." <3
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The soprano is awesome!
- Her Dad :-)
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I like this because it made the observance and full of joy
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