Not for mainstream audiences or be prime Oscar bait, but a challenging, interesting watch.

The multiple actors to show different ideas of Bob Dylan was interesting. However, there didn't seem to be much holding it together. It was like watching a bunch of short movies stuck together. The acting was good, but I didn't get any sense of Dylan... (read more) The multiple actors to show different ideas of Bob Dylan was interesting. However, there didn't seem to be much holding it together. It was like watching a bunch of short movies stuck together. The acting was good, but I didn't get any sense of Dylan, his music, or his times.

You HAVE to be a Dylanologist to your core to be able to really get into this one. If you think you're going to be seeing a Dylan biography, you're mistaken. I appreciate the vision that the filmmakers had, but honestly...it was just too long for me.

I guess I'm not much of a Dylan fan

one of the more pedestrian things Todd Haynes has done, which is good for his filmography, not so good for whatever creamy jumble this was supposed to be

The film is bracingly original; it's also mystifying, overlong and at times nearly incoherent. Floating at a distance from its audience, it creates its own smoky logic.

I'm Not There has epic length, but it's one bad idea after another.

What Haynes does is take away the reassuring segues that argue everything flows and makes sense, and to show what's really chaos under the skin of the film.

Among its many achievements, Todd Haynes's I'm Not There hurls a Molotov cocktail through the facade of the Hollywood biopic factory.

Cate Blanchett has delivered the most audacious, astounding and entertaining performance of the year by ANYONE, male or female.