In the name of Texas, Sam Houston and justice, the Duke battles the 'wild' Injuns and gun-runners. Solid action but dated, with Lee Marvin making an all too brief appearance.

Decent, though somewhat dated. The scope cinematography is nice to look at, and John Wayne is entertaining as usual.

This movie came in one of those John Wayne collections; therefore, my assumption was that it was going to be awful. However, a John Wayne fan I know reviewed the collection and said all of them were pretty good. Thus, I decided to actually read the d... (read more) This movie came in one of those John Wayne collections; therefore, my assumption was that it was going to be awful. However, a John Wayne fan I know reviewed the collection and said all of them were pretty good. Thus, I decided to actually read the description on the back. Basically, the movie was about John Wayne, a Texas Ranger, tracking down an arms dealer selling guns to a gang of Native Americans and Caucasians. Furthermore, I realized it was from the director of Casablanca, Michael Curtiz.

The beginning of the film is excellent. A few men in the woods with two of them about to duel. One man explains that he found his woman was more interested in the man he is about to duel. The allegedly more attractive man basically says that is not his fault, to which the previous man responds, "I intend to simplify her choice." That man does simplify the woman's choice, by getting shot by the other man, Monsieur Paul Regret (Stuart Whitman).

John Wayne then tracks down Regret while he is on the lam. Unfortunately, Regret is a little to crafty and escapes a few times, that is only after a few attempts are foiled by the Duke. At one point Regret is able to get is little girly pee shooter revolver back. He aims it at Wayne, to which Wayne replies by punching that Pilgrim square in the nose. Wayne then picks up the gun and pulls the trigger a few times, but the gun only clicks. "No bullets."

Unfortunately, a gang called the Comancheros complicates Wayne's hunt for Regret. However, he does get Regret back when he discovers him at poker game while he is undercover. Wayne then takes Regret on his fight against the Comancheros, and Regret actually assists him. In turn, a local judge basically pardons him. What actually happens is all the other Texas Rangers sign a statement saying that Regret has always been a Texas Ranger. This is one of those two moments I am not to keen about. Regret did murder an innocent man. Assisting in the fight against the Comanchheros does not change that.

The other part I am not satisfied with is the blatant prejudice towards Native Americans. Firstly, I am not some hippie who claims that the Anglo-Saxons stole all the Native Americans' land. That is ridiculous. Some of the land Anglo-Saxons did steal, and the true crimes Anglo-Saxons committed against Native Americans are atrocious. However, they are extremely exaggerated because some of the are not really crimes. I will explain this all in a later post. However, in this movie the Native Americans are obsessed with alcohol. The Caucasian half of the Comancheros actually do not pay their Native American half with money. Instead, they pay them with whiskey, which the Native Americans promptly pour over their face. I understand that genetically Native Americans and alcohol are not the best of friends; however, this just depicts all Native Americans as utter fools who lust drunkenness.

Aside from these two problems The Comancheros is a great story about securing property and natural rights on the open range, the nearest thing to wilderness. It indicates the natural rights are truly natural, for they exist in an area with almost no government. It is also always entertaining to see the Duke in action slugging people, shooting people, and beating them over the head with beer bottles and chairs. However, I would have liked to see the film explore Regret's east-coast city personality versus Wayne's western-frontier personality, but that might be better for a comedy.

Doesn't re-invent the genre, but it does what it has to do. John Wayne kicks some ass and the story is twisty enough to keep you interested through the more clichéd bits. Lee Marvin steals his scenes, and bit players like Elam are always fun.

Very average story that sort of abruptly comes to a James Bond like mass-slaughter-of-the-bad guys ending while none of the good guys even get hurt.

Definatley not one of John Waynes bests. The only reason I watched it was because I am a big Wayne fan and I figured I needed to see it. Lee Marvin is hilarious but sadly he is only in the film for 10 minutes which was bummer.

Has some very memorable JW quotes, and Lee Marvin is hilarious. Not the best JW ever, but a good one.

Very average western with Wayne playing Wayne - this time as a Texas Ranger. Lee Marvin has a memorable role as a gun-runner but is sadly underused.

Fairly enjoyable western with Wayne playing Wayne, as usual. Probably the thing that stood out most for me in this film is its incredibly dated treatment of the Indians, who are light-heartedly massacred in their hundreds, and whose only function in ... (read more) Fairly enjoyable western with Wayne playing Wayne, as usual. Probably the thing that stood out most for me in this film is its incredibly dated treatment of the Indians, who are light-heartedly massacred in their hundreds, and whose only function in life is to rape, steal and beg for whiskey. Really quite offensive by todays standards.
That aside, there are some plus points. The scenery is truly magnificent (though this is not really unusual for this type of western). Wayne's relationship with Whitman actually becomes quite touching, and Lee Marvin's brief appearance a semi-scalped psychopath 'Crow' is highly amusing. Indeed, it's Marvin's contribution alone that makes this a three star, rather than a pretty miserable two....