Filmed in Binghamton, New York! With a focus on... wait for it... architecture! What could be more surreal?

Not the type of film you watch just once and I look forward to future viewings. Felt very much like one of David Lynch’s later flicks like Lost Highway or Mulholland Drive but maybe a little more stable on the narrative front. Kitchen Sink imager... (read more) Not the type of film you watch just once and I look forward to future viewings. Felt very much like one of David Lynch’s later flicks like Lost Highway or Mulholland Drive but maybe a little more stable on the narrative front. Kitchen Sink imagery run amok-Film Noir, Hitchcockian, Polanski madness. The film also made me realize what a shame it is that Kevin Anderson was not able to take roles like this one and the bits in Hoffa and Rising Sun to build a flashbang Nicolas Cage kinda career. Kim Novak might not seem like she has a lot to do as the dying mother but I found her performance to be deeply effective, sometimes terrifying. And I really love how Bill Pullman starts off in one of his evil jerk characters and ends on a much more ambiguous emotional image. VF.

En oo mikään Leaving Las Vegasin fani, mutta tästä pidin kovasti. Omaperäinen ja otteessaan pitävä trilleri, josta tulee parhaimmillaan mieleen jopa Don’t Look Now, tai Lynchin säikyttelyt.

This movie felt at times a little too slow and too artsy for it's own good. The plot was somewhat trite and easily recognizable half way through the film. Mike Figgis did a great job creating a sensual and dark mood with his directing and song comp... (read more) This movie felt at times a little too slow and too artsy for it's own good. The plot was somewhat trite and easily recognizable half way through the film. Mike Figgis did a great job creating a sensual and dark mood with his directing and song composition.

A sensual mystery. The acting is subtle and the music is masterful. Pamela Gidley is breathtaking.