Pink Floyd - The Wall (1982)
Bob Geldof, Bob Hoskins, Christine Hargreaves, Eleanor David, James Laurenson ... (see more) , Kevin McKeon
Inspired by Pink Floyd's album of the same name, Pink Floyd: The Wall is a dark, expressionistic musical, told from the point of view of Pink, a depressed rock musician. The film is structured around Pink's reflections on his life, all of which center on the building of the wall. This wall is a meta... (read more) Inspired by Pink Floyd's album of the same name, Pink Floyd: The Wall is a dark, expressionistic musical, told from the point of view of Pink, a depressed rock musician. The film is structured around Pink's reflections on his life, all of which center on the building of the wall. This wall is a metaphor for psychological isolation, a barrier Pink creates to distance himself from his pain. The foundations for this wall are lain in childhood, with the death of Pink's father leaving him to be raised by an overprotective mother and a repressive school system. He seeks freedom from this world through writing and music. However, even after he achieves success as a rock star, the wall continues to grow, with Pink feeling trapped by fame and wounded by his failed personal relationships. Lost in despair and self-loathing, he attempts to isolate himself from the world entirely. Director Alan Parker approaches this material in a highly stylized manner, mingling animation and dream-like sequences to suggest Pink's perception of the world. These techniques complement the almost constant music, which the film often uses in place of dialogue. Songs include Another Brick in the Wall and Comfortably Numb.~ Judd Blaise, All Movie Guide
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R, 1 hr. 35 min.
Directed by:
Alan Parker
Release Date: Aug 01, 1982
DVD Release Date: Dec 02, 1999
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VEry dark Very Depressing Very disturbing but it was so incredible! I love pink floyd and this is definitely a must see for pink floyd fans! i don't know why anyone would watch this on ANY drug!
Sheds some light on the story of the album, which I initially felt left me with interpretive challenges during some of the segments. But this presents everything about the album in a concise package.
As a film it is a fitting testament to the cerebr... (read more) Sheds some light on the story of the album, which I initially felt left me with interpretive challenges during some of the segments. But this presents everything about the album in a concise package.
As a film it is a fitting testament to the cerebral nature of Pink Floyd's music, so if you're a fan, this is a "should watch".
At least give the album at least one full listen before watching.
Powerful scenes combined with great music, make this an incredible film.
Weirdest and best movie I have honestly ever seen I love floyd and this album and movie is what got me really into them I <33 PINK FLOYD!!!!!!!!!
The music makes the movie more than anything else. The imagery is often very effective, but it doesn't really amount to much more than images accompanying great music.
It is a study of grief, suggesting that social ills are rooted in our personal and collective losses. A fatherless child in a playground grabs the hand of a father with his child, and is shooed away, alienated by his need. The child is then humiliate... (read more) It is a study of grief, suggesting that social ills are rooted in our personal and collective losses. A fatherless child in a playground grabs the hand of a father with his child, and is shooed away, alienated by his need. The child is then humiliated by his teacher, who himself suffers humiliation in a loveless marriage and this repeats itself later as the child grows up, humiliated in a loveless marriage, inflicting abuse on his admirers as a fascist populist and embodying the very values his own father died fighting.
All the while, a pitiless barrage of imagery fills the screen, flowers engaging in intercourse and transforming into castrating vaginal fangs, children lined up in a school/factory and conveyed into a meatgrinder, their faces distorted, featureless, burnt latex homunculi, bomber aircraft transforming into crucifixes and filling the sky. A bit over the top? Not while "Goodbye Blue Sky" is playing.
It is laced with Christian imagery, almost unconsciously. The final scene shows a child emptying a molotov cocktail in the midst of social anarchy, suggesting that breaking through the wall is a futile return to naive self-destruction. Hence the problem of whether we can bear the weight of our existence. Perhaps the Christian imagery suggests a transcendence.
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