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Cellular (2004)

Cellular
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Kim Basinger, Chris Evans, Jason Statham

A young man receives an emergency phone call on his cell phone from an older woman. The catch? The woman claims to have been kidnapped; and the kidnappers have targeted her husband and child next.

Flixster Users

66% liked it
61,939 ratings

Critics

54% liked it
147 critics

PG-13, 1 hr. 35 min.
Directed by: David R. Ellis
Release Date: Sep 10, 2004
DVD Release Date: Jan 18, 2005

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Flixster User Reviews

2 days ago
I think this is actually a very entertaining movie. It has a really great pace and the characters are likable and fun to watch. It's not all that extensive of a plot, but I don't think all movies should have to be. For what it is, it's perfect. Chris... (read more)
9 days ago
One of the most underrated action flicks in years very good cast take an interesting premise and run with it
12 days ago
Should I be surprised that it was written by the same person as Phonebooth? Not bad, had a few laughs. Kim Basinger can still scream as vigorously as she did in her youth.
14 days ago
i liked it...Kim was great
14 days ago
just okay timepass movie

Critic Reviews

View more Cellular reviews at RottenTomatoes.com
1908 days ago
Stephanie Zacharek, Salon.com
The picture has a low-stakes, cop-show vitality to it; it doesn't pretend to be more than the sum of its parts.
full review
1909 days ago
Nick Schager, Slant Magazine
It's Ellis's dedication to providing an unrelenting series of silly B-movie set pieces that makes the ridiculous Cellular ring.
full review
1909 days ago
Roger Ebert, Chicago Sun-Times
This is one of the year's best thrillers. Better than Phone Booth, for my money, and I liked that, too.
full review
1910 days ago
Edward Havens, FilmJerk.com
Mistakes rapid-fire editing, unfocused and shaky camerawork, and shrill sound effects with authentic storytelling.
full review
1910 days ago
David Edelstein, Slate
If thrills and spills like the ones in Cellular have been the stuff of melodrama since Pauline was tied to the tracks, mobile phones give a filmmaker more opportunities for cross-cutting and more weird hurdles to jump.
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