of all the Guy Ritchie films, I like this one the best. I think apart from Fight Club, I don't know of another movie that will go after the post-modern existential angst and internal conflict that plague 'modern' life.

This British crime thriller is more along the lines of Sun Tzu, pyschology and eastern thought than mindless shoot-em up nonsense. I can now say without fear of contradiction not only is Guy Ritchie a skillful director, but also a story-teller with a... (read more) This British crime thriller is more along the lines of Sun Tzu, pyschology and eastern thought than mindless shoot-em up nonsense. I can now say without fear of contradiction not only is Guy Ritchie a skillful director, but also a story-teller with a lot of depth.

This movie was so clever and I imagine multiple watches would only make it better! Jason Statham was amazing in it! An unusual character for him. Andre was clever and stylish as usual and Ray Liotta was great. But the stand out for me was Mark Strong... (read more) This movie was so clever and I imagine multiple watches would only make it better! Jason Statham was amazing in it! An unusual character for him. Andre was clever and stylish as usual and Ray Liotta was great. But the stand out for me was Mark Strong. I have found a new favourite, he is awesome! And the credits finished it off so well. Almost to clever for it's own good!! Guy Ritchie and Luc Besson together though, wouldn't expect any less!

So horribly horrible - one of the five worst films I've ever seen

If I have to tell about this movie in one word, it would be "confusing" and not in a good way. The movie tries to be intellectual and smart with all mumbo jumbo nonsence about ego, but this only makes it hard to follow the damn movie. And the outcome... (read more) If I have to tell about this movie in one word, it would be "confusing" and not in a good way. The movie tries to be intellectual and smart with all mumbo jumbo nonsence about ego, but this only makes it hard to follow the damn movie. And the outcome of the movie is still easy to predict even though it tries hard not to show every card it has in it's hand. Like every Guy Ritchie movie this one also has cool scenes which are neatly edited and shot.

Guy Ritchie's greasy little noir Revolver is good grindhouse fun until a last act that's like a meeting of a psychoanalysts' convention.

A frothing mad film that thrashes against its very sprocket holes in an attempt to bash its brains out against the projector. It seems designed to punish the audience for buying tickets.

A psychological thriller that focuses more on the 'psycho' than the 'logical' for its own good. But who says everything has to make sense when you're just trying to blow a few brains out?

There are quotations from Machiavelli, brainiac chess stratagems, meditations on the ego and suicide, and some of the clunkiest gangland gab this side of a Martin Scorsese parody.

While it's unclear if this nonsense is propaganda for Madonna's Kabbalah dogma, there's absolutely no doubt that Revolver achieves a higher plane of badness.