What a beautiful novel. Simple, direct wording but graceful and well written.
Even though the ending gave me a bit of a thought provoking moment, ... (show more)
In South of the Border, West of the Sun, the simple arc of a man's life--with its attendant rhythms of success and disappointment--becomes the exquisite literary terrain of Haruki Murakami's most haunting work.
Born in 1951 in an affluent Tokyo suburb, Hajime--beginning in Japanese--has arrived at middle age wanting for almost nothing. The postwar years have brought him a fine marriage, two daughters, and an enviable career as the proprietor of two jazz clubs. Yet a nagging sense of inaut... (show more)
In South of the Border, West of the Sun, the simple arc of a man's life--with its attendant rhythms of success and disappointment--becomes the exquisite literary terrain of Haruki Murakami's most haunting work.
Born in 1951 in an affluent Tokyo suburb, Hajime--beginning in Japanese--has arrived at middle age wanting for almost nothing. The postwar years have brought him a fine marriage, two daughters, and an enviable career as the proprietor of two jazz clubs. Yet a nagging sense of inauthenticity about his success threatens Hajime's happiness. And a boyhood memory of a wise, lonely girl named Shimamoto clouds his heart.
When Shimamoto shows up one rainy night, now a breathtaking beauty with a secret from which she is unable to escape, the fault lines of doubt in Hajime's quotidian existence begin to give way. And the details of stolen moments past and present--a Nat King Cole melody, a face pressed against a window, a handful of ashes drifting downriver to the sea--threaten to undo him completely. Rich, mysterious, quietly dazzling, South of the Border, West of the Sun is Haruki Murakami's wisest and most compelling fiction. (show less)
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What a beautiful novel. Simple, direct wording but graceful and well written.
Even though the ending gave me a bit of a thought provoking moment, ... (show more)
What a beautiful novel. Simple, direct wording but graceful and well written.
Even though the ending gave me a bit of a thought provoking moment, I have to say I'm becoming a greater fan of Murakamis' work book after book.
The fact that this story is not an obvious romance novel, or rather, not a romance at all. It neither focuses on one dimension of our mental/emotional realm nor does it give you predictable outcomes.
This book is surrounded by complex writing, in the simplest word form, what's astounding is that I can understand the main characters' outcomes and the other characters' even though I've not experienced those events myself.
I love how this book does not focus on one realm of thought but undergoes every perspective of every character, and does not have a biased form of writing where the 'spectator' should be driven to agree with the main character and detest another character.
Very nice book and overall one of my top favorite authors (show less)
the more i think on it the more bizarre the characters seem.
i don't know what murakami was trying to convey in this novel.
it reads like just an... (show more)
the more i think on it the more bizarre the characters seem.
i don't know what murakami was trying to convey in this novel.
it reads like just another story of a guy cheating on his wife. (show less)
Here's what I've noticed after reading 4 Murakami books-- (all of which I've loved, except for this last one) The characters are all the same. Does anyone else notice the repetition? The main character is always a man who is described as drab, plain, sometimes even boring, and who is unsatisfied with his life in one way or the other. Job, wife, Destiny, whatever. And the woman/love interest/mother (sometimes one and the same) is always slightly lost and suicidal, or recovering from suicidal ... (show more)
Here's what I've noticed after reading 4 Murakami books-- (all of which I've loved, except for this last one) The characters are all the same. Does anyone else notice the repetition? The main character is always a man who is described as drab, plain, sometimes even boring, and who is unsatisfied with his life in one way or the other. Job, wife, Destiny, whatever. And the woman/love interest/mother (sometimes one and the same) is always slightly lost and suicidal, or recovering from suicidal tendencies.
I am still a huge fan of Murakami's work, and praise him for his new-age Japanese surrealism. His twist of the Minamata disease (mercury biomagnification --> prophetic, insane man who can talk to cats) is just one example of the slight craziness that always accompanies reading one of his works. But I do feel that this predicability needs to be adressed, though it may have been already, especially since I just realized it after reading four of his books. I don't think anyone could accuse Murakami of a lack of creativity, except in this instance.
Is it a flaw? Depends on how much you revere Murakami. (show less)
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This book, the story of a mid life crisis, is a work or realism and more closely resembles "Norwegian Wood" than Murakami's more fantastic efforts. While I prefer the Murakami that writes about talking cats, sheep men, and spirits that manifest themselves as American advertising figures, this is a very good book. It's the story of a man and three key relationships in his life: his first girlfriend, his wife, and, most importantly, a female friend from his early childhood years who... (show more)
This book, the story of a mid life crisis, is a work or realism and more closely resembles "Norwegian Wood" than Murakami's more fantastic efforts. While I prefer the Murakami that writes about talking cats, sheep men, and spirits that manifest themselves as American advertising figures, this is a very good book. It's the story of a man and three key relationships in his life: his first girlfriend, his wife, and, most importantly, a female friend from his early childhood years who disappears, only to reenter his life once he is happily married.
There's something about the way that Murakami writes dialogue that I find irresistible. I wouldn't say his dialogue is realistic-his characters are much too frank with each other even in the most mundane situations-but it still has a distinctive quality that I appreciate. His characters are almost always in some kind of existential crisis that leads them to speak with a directness that isn't often found in real life conversations. There's plenty of that type of dialogue in this book and that's what makes this a worthwhile read. (show less)
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