Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis
For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's
Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.
Michael Ward has finally solved the enigma. In Planet Narnia he demo... (show more)
For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's
Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.
Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the
Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own
generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each
Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.
Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence,
and knowledge by acquaintance. (show less)
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Without doubt, this is an extremely intelligent text, presenting a comprehensive and coherent argument for the underlying layers of the Narniad.
Initially I was quite disappointed by the style of the book, but once I had got the idea that it was written in a more academic style, I found it much more enjoyable. I have taken my time, and now find I need to bolster my understanding by reading some other works from the Lewisian corpus.
If I had one criticism, it would be that I felt it should... (show more)
Without doubt, this is an extremely intelligent text, presenting a comprehensive and coherent argument for the underlying layers of the Narniad.
Initially I was quite disappointed by the style of the book, but once I had got the idea that it was written in a more academic style, I found it much more enjoyable. I have taken my time, and now find I need to bolster my understanding by reading some other works from the Lewisian corpus.
If I had one criticism, it would be that I felt it should have an explanatory chapter on basic astrological principles and it is for this reason that I gave it 4 1/2 stars and not 5. I am well aware that there are many other texts covering this subject and I do perhaps need to engage with some of those.
A good dictionary is a distinct advantage, as some rather obscure words do litter the text (ichneutic?). Having a theologian in the house is also very helpful! I also feel that it does not detract from the romance of the Narniad and Ward does answer such criticisms in an eloquent way in the closing chapters of the book.
I would like to submit this question to the world of literary criticism: Donegality; Discuss. (show less)
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It wouldn't be strictly accurate to say I had read this book. I read pretty carefully until halfway through, then pretty much skimmed the rest. The heart of the book is the "discovery" by author and Lewis specialist, Michael Ward, that each book in the Narnia Series corresponds to one of the seven Mediaeval planets (which includes the Sun and Moon). He makes an interesting case, one in which Lewis' intense interest in the Mediaeval world (he was after all professor of Mediaeval and ... (show more)
It wouldn't be strictly accurate to say I had read this book. I read pretty carefully until halfway through, then pretty much skimmed the rest. The heart of the book is the "discovery" by author and Lewis specialist, Michael Ward, that each book in the Narnia Series corresponds to one of the seven Mediaeval planets (which includes the Sun and Moon). He makes an interesting case, one in which Lewis' intense interest in the Mediaeval world (he was after all professor of Mediaeval and Renaissance Literature) is brought to the fore. I left the book wanting to read Lewis more (it's about time I did) but not I think gaining in admiration for the Narniad (which I already thought was fantastic anyway).
The book is clearly modelled on (if not actually a reproduction of) Ward's PhD thesis. As with all good PhD theses he has even invented a new word, Donegality, but you will need to read the book to find out what it means.
In summary, an interesting idea, well laid out, but perhaps stretched just a fraction beyond the bounds of credulity at least for a layman like me. (show less)
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