this book touched my heart, it gave me hope that (*spoiler alert*) life can work out
Memoirs of a Geisha
In this literary tour de force, novelist Arthur Golden enters a remote and shimmeringly exotic world. For the protagonist of this peerlessly observant first novel is Sayuri, one of Japan's most celebrated geisha, a woman who is both performer and courtesan, slave and goddess.
We follow Sayuri from her childhood in an impoverished fishing village, where in 1929, she is sold to a representative of a geisha house, who is drawn by the child's unusual blue-grey eyes. From there she is taken to ... (show more)
In this literary tour de force, novelist Arthur Golden enters a remote and shimmeringly exotic world. For the protagonist of this peerlessly observant first novel is Sayuri, one of Japan's most celebrated geisha, a woman who is both performer and courtesan, slave and goddess.
We follow Sayuri from her childhood in an impoverished fishing village, where in 1929, she is sold to a representative of a geisha house, who is drawn by the child's unusual blue-grey eyes. From there she is taken to Gion, the pleasure district of Kyoto. She is nine years old. In the years that follow, as she works to pay back the price of her purchase, Sayuri will be schooled in music and dance, learn to apply the geisha's elaborate makeup, wear elaborate kimono, and care for a coiffure so fragile that it requires a special pillow. She will also acquire a magnanimous tutor and a venomous rival. Surviving the intrigues of her trade and the upheavals of war, the resourceful Sayuri is a romantic heroine on the order of Jane Eyre and Scarlett O'Hara. And Memoirs of a Geisha is a triumphant work - suspenseful, and utterly persuasive. (show less)
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Pretty nice story, but should be read only as such; it's a work of fiction, or to be less judicious, fabricated history. Most books don't force on... (show more)
Pretty nice story, but should be read only as such; it's a work of fiction, or to be less judicious, fabricated history. Most books don't force one of the sources to sue the author for breach of contract and slander for portraying an entire profession and culture as prostitutes. This one did.
I read this book expecting to hate it, being as it is an account of Taisho Era Japan about the lives of Japanese women in an insular, secretive society written in English by a white American guy in the present (which spawned a movie starring Chinese actresses speaking [poor] English) - but I didn't hate it. It just irritated me, because I know the net effect will be more hardening of the idea that "geisha=prostitute" in the popular consciousness, which leads inevitably to the fetishism of "Japanese woman=prostitute". I'm sick enough already of this tripe, which is just a carryover from American GIs who spent time in Japan during the Occupation mistaking their ordinary prostitutes (and often women forced into prostitution through starvation) for geisha. They weren't prostitutes any more than they are called "GEESHA GIRLS". (show less)
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This book has made its way in to my heart and permanently into my mind. I have read my copy so many times that the book no longer stays shut. I cry and laugh and rejoice each time I read it.
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I was drawn in by the writing style, but was disappointed with the lack of depth in character development and creativity in plot (chick flick in disguise,) given the intricate history already given to him. Still, I extracted some nice quotes,
"Hopes are like hair ornaments. Girls want to wear too many of them. When they become old women they look silly wearing even one." p344
"Adversity is like a strong wind... it holds us back from places we might otherwise go (and) it tears... (show more)
I was drawn in by the writing style, but was disappointed with the lack of depth in character development and creativity in plot (chick flick in disguise,) given the intricate history already given to him. Still, I extracted some nice quotes,
"Hopes are like hair ornaments. Girls want to wear too many of them. When they become old women they look silly wearing even one." p344
"Adversity is like a strong wind... it holds us back from places we might otherwise go (and) it tears away from us all but things that cannot be torn, so that afterward we see ourselves as we really are, and not merely as might like to be." p405
"How strange... that the same woman who looked me so frankly in the eye as a girl, many years ago, can't bring herself to do it now." p485
"How curious it is, what the future brings us. You must take care... never to expect too much." p409
"Sometimes... I think the things I remember are more real than the things I see." p497
It reminded me of Raise the Red Lantern, a film about a young Chinese girl who becomes one of four wives/concubines in a wealthy man's household. I don't like reading about these young girls who, though clever, have naive hopes of love/romance/friendship/security only to find (at some point) that her life/future is at the mercy of either men who regard her as little more than an object of beauty and pleasure (plaything) or women who regard her with competition instead of sisterhood.
Some may say that personifying beauty and pleasure (and having such influence) is a respectable/desirable position and it may well be, but I think that power is only an illusion, as the beholder can take his affections away as his attention span pleases. I don't know that it is a feminist or humanist issue - these characters are desperate for love/security and naively think they will attain it from their focus of desire (desperation?). Maybe men and women's ideas of love differ? Maybe it is an individualistic thing? Is the bottom line that desiring a relationship places the source of their happiness external to themselves? Though these films were set some decades ago, isn't it the same now? Aren't we still the same creatures? (show less)
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I loved this book. I liked the way it was written and how it drew me in to a world I have never been thought of before. I like when faux history mixed in with real history and the characters were were well conceived. It is even one of my favorite books (movie is bad though).
Jennifer Taite 3 days ago -
A delicate and rich portrayal of an imagined life of a Geisha. It's a fascinating look into a world so different from my American-centric life in a time not very far long ago--and yet the differences seem so striking, as if the story is told in a time far removed. Yet the feelings of love, rejection, fear, and hope are relatable to all.
Jillian 純子 Nelson 10 days ago -
I got emotional with this book. Inspired and amazed.
Van Jai about 1 month ago
I felt the line "old good times". awesome! -
Movie adaptation
Just curious what other people thought about this one.. personally I thought the movie was horrible and failed to capture those feelings i had when reading the book the first time.
maybe i am being a little too harsh on the movie but it wasn't very good in my opinion
Steve Ticker about 1 year ago -
The moral of the story
Whenever I read a book I try to decide on what the author's ovarall theme or moral is. I know there are a lot of themes in the book such as good vs evil, beatuy vs ugliness, inner beauty vs outer beauty, love vs friendship vs hate, but I'm having a hard time figuring out what the overall lesson of the story is. The author tries to wrap it up with a statement about changes in life at the end of the book but to me that seems pretty weak. What do you think the moral of the story is? (Please only comment on the book and not the movie)
Davis Theodore Katseanes 7 months ago -
Golden's motivation with the character Hatsumomo.
Outside of Hatsumomo having her own control issues, I felt she was a fairly complex character. Any one have any ideas or thoughts about his motivation in using her? I felt she was far stronger than just a roaad block.
Facebook User about 1 year ago
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