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City of Refuge: A Novel

Tom Piazza
 
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In the heat of late summer, two New Orleans families—one black and one white—confront a storm that will change the course of their lives.

SJ Williams, a carpenter and widower, lives and works in the Lower Ninth Ward, the community where he was born and raised. His sister, Lucy, is a soulful mess, and SJ has been trying to keep her son, Wesley, out of trouble. Across town, Craig Donaldson, a Midwestern transplant and the editor of the city's alternative paper, faces deepeni... (show more)

In the heat of late summer, two New Orleans families—one black and one white—confront a storm that will change the course of their lives.

SJ Williams, a carpenter and widower, lives and works in the Lower Ninth Ward, the community where he was born and raised. His sister, Lucy, is a soulful mess, and SJ has been trying to keep her son, Wesley, out of trouble. Across town, Craig Donaldson, a Midwestern transplant and the editor of the city's alternative paper, faces deepening cracks in his own family. New Orleans' music and culture have been Craig's passion, but his wife, Alice, has never felt comfortable in the city. The arrival of their two children has inflamed their arguments about the wisdom of raising a family there.

When the news comes of a gathering hurricane—named Katrina—the two families make their own very different plans to weather the storm. The Donaldsons join the long evacuation convoy north, across Lake Pontchartrain and out of the city. SJ boards up his windows and brings Lucy to his house, where they wait it out together, while Wesley stays with a friend in another part of town.

But the long night of wind and rain is only the beginning—and when the levees give way and the flood waters come, the fate of each family changes forever. The Williamses are scattered—first to the Convention Center and the sweltering Superdome, and then far beyond city and state lines, where they struggle to reconnect with one another. The Donaldsons, stranded and anxious themselves, find shelter first in Mississippi, then in Chicago, as Craig faces an impossible choice between the city he loves and the family he had hoped to raise there.

Ranging from the lush neighborhoods of New Orleans to Texas, Missouri, Chicago, and beyond, City of Refuge is a modern masterpiece—a panoramic novel of family and community, trial and resilience, told with passion, wisdom, and a deep understanding of American life in our time.

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Reviews (See all 31) Write a reviewfor this

  • Alan Elsner
    Super_review

    Is it only four years since Hurricane Katrina? Tom Piazza brings back the horror of that event in this novel that often reads more like a documentary than a work of imagination.
    It follows two families, one black, one white, through the buildup to the storm and the terrible aftermath. The white middle-class family manages to get out; they have their troubles and their marital discord but they are basically safe. The black family is stuck in the Lower Ninth Ward as the flood waters rise.
    Piazz... (show more)

    Is it only four years since Hurricane Katrina? Tom Piazza brings back the horror of that event in this novel that often reads more like a documentary than a work of imagination.
    It follows two families, one black, one white, through the buildup to the storm and the terrible aftermath. The white middle-class family manages to get out; they have their troubles and their marital discord but they are basically safe. The black family is stuck in the Lower Ninth Ward as the flood waters rise.
    Piazza doesn't try to hide his fury at the hapless administration of George W. Bush and the clueless president himself who allowed this tragedy to unfold. He is much softer on Mayor Nagin and the governor of Louisiana (who I believe goes unmentioned in the book) for their equally appalling failings. Piazza's anger is fully justified and his rage gives the book some of its undeniable power. But his occasional forays into newspaper-style descriptions of the wider context of the tragedy seem to fit poorly, weakening the focus on the characters themselves and their stories.
    Of the characters, the white family to me seem less compelling. The husband wants to return to New Orleans, the wife wants to move to Chicago -- hardly the stuff of great drama. I wasn't much involved in them and their troubles.
    The black family was much more fully drawn. I won't give away their troubles but they were much more of the life-and-death variety. Piazza is very strong when he describes the dislocation and confusion of a young man who has known only New Orleans suddenly finding himself living with a kind white family in Albany, New York. "Are those the Rockies?" he asks, pointing to the distant Adirondacks.
    One criticism: Piazza skips over several days of the aftermath. One character takes refuge in the Superdome but we don't hear what happens there. Next we know, she's in Missouri.
    This is a worthy book, written in white heat, about a great American tragedy, man-made, that we should not forget. Other works of art will doubtless follow but this sets a high initial standard. (show less)

     
     
    by Alan Elsner on Apr 29, 2009 at 01:02PM

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  • Kristin Boldon
    Super_review

    Piazza opens with two quotes, one from Steinbeck’s Grapes of Wrath, which this book is an homage to. Like that American classic, City of Refuge tells of a forced US migration, both through the eyes of those experiencing it, and with journalistic interludes that further fill in the details. I thought I knew what happened there. City of Refuge showed me I hardly knew a thing, and more compellingly, helped explain why.

    The novel switches between two families, one black, one white, and their exp... (show more)

    Piazza opens with two quotes, one from Steinbeck’s Grapes of Wrath, which this book is an homage to. Like that American classic, City of Refuge tells of a forced US migration, both through the eyes of those experiencing it, and with journalistic interludes that further fill in the details. I thought I knew what happened there. City of Refuge showed me I hardly knew a thing, and more compellingly, helped explain why.

    The novel switches between two families, one black, one white, and their experiences during and after the hurricane. I sometimes thought Piazza gave too much detail, and veered into the didactic, problems I also had with Grapes of Wrath. Like that book, though, this is a chronicle of a national tragedy, and the government ineptitude that made things worse. Like that book, City of Refuge is a novel about social justice. It educates, inspires empathy, and fosters outrage. The writing style wasn’t always to my taste, but the scope and power of the story, and the character of SJ in particular, are such that I’d recommend City of Refuge to almost anyone. (show less)

     
     
    by Kristin Boldon on Mar 08, 2009 at 06:04PM

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