Okay, so add me to the apparently short list of people who were NOT blown away by this book. I think it was way overhyped, partly because of the Op... (show more)
The Story of Edgar Sawtelle
A riveting family saga, The Story of Edgar Sawtelle explores the deep and ancient alliance between humans and dogs, and the power of fate through one boy’s epic journey into the wild.
Born mute, speaking only in sign, Edgar Sawtelle leads an idyllic life with his parents on their farm in remote northern Wisconsin. For generations, the Sawtelles have raised and trained a fictional breed of dog whose thoughtful companionship is epitomized by Almondine, Edgar's lifelong companion. But w... (show more)
A riveting family saga, The Story of Edgar Sawtelle explores the deep and ancient alliance between humans and dogs, and the power of fate through one boy’s epic journey into the wild.
Born mute, speaking only in sign, Edgar Sawtelle leads an idyllic life with his parents on their farm in remote northern Wisconsin. For generations, the Sawtelles have raised and trained a fictional breed of dog whose thoughtful companionship is epitomized by Almondine, Edgar's lifelong companion. But with the unexpected return of Claude, Edgar's uncle, turmoil consumes the Sawtelle's once-peaceful home. When Edgar's father dies suddenly, Claude insinuates himself into the life of the farm – and into Edgar's mother’s affections.
Grief-stricken and bewildered, Edgar tries to prove Claude played a role in his father's death, but his plan backfires, spectacularly. Edgar flees into the vast wilderness lying beyond the farm. He comes of age in the wild, fighting for his survival and that of the three yearling dogs who follow him. But his need to face his father’s murderer, and his devotion to the Sawtelle dogs, turn Edgar ever homeward.
Wroblewski is a master storyteller, and his breathtaking scenes – the elemental north woods, the sweep of seasons, an iconic American barn, a ghost made of falling rain – create a family saga that is at once a brilliantly inventive retelling of Hamlet, an exploration of the limits of language, and a compulsively readable modern classic. (show less)
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I didn't know about the Hamlet connection when beginning the novel, nor does the new knowledge of this inspire me waste anymore time reading it. I... (show more)
I didn't know about the Hamlet connection when beginning the novel, nor does the new knowledge of this inspire me waste anymore time reading it. I already know how it ends.
However, the more I think about it the more I'm annoyed by the Hamlet connection, which begins more than half way through the book on page 233! I've been reading 233 pages of back round, Sawtelle lineage, and letters from other dog breeders for what!?! So half way through Wroblewski can say 'Shit, I don't feel like this is going anywhere and if something doesn't happen soon my readers are gonna catch on to that. Look at this, my daughter left for school without her Hamlet Cliff Notes," (light bulb).
The most annoying part about this is that nothing in the preceding 233 pages indicate that what occurs in part two is even possible. At no point does the writing hint at the development of a metaphysical character. Babies and dogs have died up to this point and managed to stay dead. Nothing about Claude thus described indicates he might secretly get off on murder and even have an interest in Trudy. The set up of the first half of the book in no way justifies or supports the introduction of a Shakespeare play in the middle of the novel.
All this aside, I tried to pick it up once again after a week and a half of being too irritated to look at it. The first chapter of the third part had me throwing it on the floor. I find his writing lacks fluidity and clarity. When describing Edgar's walk back to the house, Wroblewski does not apply emotion to movement but simply a confusing mixture of changing direction and pace. What should I derive from this? Is Edgar sleepy and confused? Is he angry? Does he have to pee? Is he drunk? All I know is that he keeps switching his direction and pace. OCD? I understand the general gist but am I feeling what Edgar feels? No, because I'm not even sure what that is. I feel comfortable arguing that this in no way resembles good writing and it is useless abuse of words. The last straw was the last half of this same section. Why, why, why switch to 2nd person narrative? It's not only incongruous with way the entire first half of the book has been written but it also has no use. It doesn't reveal anything more than the normal narrative would have. And the structure of part 5 is just another example of the incongruous and uncreative story telling Wroblewski has shown up to this point.
All and all, I've decided I will not pursue this novel any longer. I've already read Hamlet and the one I read was actually good. Waoblewski's writing is choppy and worst of all hollow. The story he sets up for 233 pages is not the one he ends with and I find it ill conceived and cheap. In his attempt to emulate several authors and styles, he has failed. He has instead cluttered his novel, created a collage of crap and aborted the promising story that was the first 233 pages. (show less)
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I'm wary of any book that is so obviously a retelling of another story - in this case, Hamlet. But Wrobleski's story is so exceedingly well crafted, its details so stunningly original, it didn't matter that I knew what would happen next. The brilliance was in how the author took us there. He made this story about the power and elusiveness of language, about the complexity and fragility of our relationships, about trust and sociopathy, the importance of names and naming (a favorite theme of mi... (show more)
I'm wary of any book that is so obviously a retelling of another story - in this case, Hamlet. But Wrobleski's story is so exceedingly well crafted, its details so stunningly original, it didn't matter that I knew what would happen next. The brilliance was in how the author took us there. He made this story about the power and elusiveness of language, about the complexity and fragility of our relationships, about trust and sociopathy, the importance of names and naming (a favorite theme of mine) and, of course, about dogs - always about the dogs.
Some dogs, lovable and wonderful as they are, are just dogs. And others are more - they look us in the eye, they listen to us - and expect us to listen to them in return. I was fortunate enough to share a brief span of time with Eppie, our lab dober mix who was eerily brought to mind by the Sawtelle dogs, giving the book yet another level of connection.
I love sharing literature with my friends and family. But while I was reading this one, I wanted to protect my dear ones from it, instead. Now, of course, I want everyone to read it, so we can all talk about it together. To say that the book pulls no punches is an understatement at best. But it gave me a deeper appreciation for so many things, not the least being Shakespeare's story. (show less)
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At first I thought the book had a little too much about the dogs and their training. I almost stopped reading it midway because of that, but then I got to the part where Edgar ran away and I couldn't put down the book. I so wanted to know what would happen next and I loved how the author developed Edgar's character through his experiences with the dog's in the woods and then with Henry. The mystery behind what truely happened and what may have happened and not knowing if we would ever true... (show more)
At first I thought the book had a little too much about the dogs and their training. I almost stopped reading it midway because of that, but then I got to the part where Edgar ran away and I couldn't put down the book. I so wanted to know what would happen next and I loved how the author developed Edgar's character through his experiences with the dog's in the woods and then with Henry. The mystery behind what truely happened and what may have happened and not knowing if we would ever truely find out. The slight hints as to what may happen next and how Edgar would finally come to terms with all that had happened kept me reading. Loved and hated the ending, if that is possible. Some people on here have said that it is for dog lover's, but I think anyone would enjoy the power of this book. If there is a sequel I will definitely read it. (show less)
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I just couldn't get into this book even after more than a hundred-fifty pages. It is one of the few I ditched in mid read. On to Cutting for Stone.
Facebook User 8 days ago -
It's tempting to be glib and call this 'Shakespeare With Dogs' but in so many ways that what this is; many of the philosophical themes from Hamlet, Othello and others pop up, often with reference to the behavior (sometimes exceptionally intelligent, sometimes just plain ol' doglike) of Edgar's pups.
I was very affected by the suspenseful ending (which really isn't that suspenseful if you know your Bard) (which in turn shows how effective it really was). It closes with a question that isn't easily solved and would make a fantastic book club debate point. Maybe a bit too long, but it didn't matter because I couldn't put it down the last 150 pages or so anyway.
Facebook User 16 days ago -
This is one of the better-written books I have read in a long time. The author successfully weaves the scene and creates a mood that maintains itself through the entire book. The "Hamlet" references in some of the reviews here and on Amazon.com seem to bother a lot of people, but I liked how artfully the author used that story to create one of his own. The ending moves quickly, but if you've ever read "Hamlet," you know that the last scene has everyone but Horatio dead. I knew Edgar had to die but I am glad he died with Almondine by his side.
Overall, a great read!
Facebook User about 1 month ago -
I loved this book. The dog stuff kept the "retelling of Hamlet" from being a little prosaic. It kept me interested. I was disappointed in the ending even though I saw it coming, but the story and the whole world created by the author made me feel sad to leave it when I was finished.
Karen Kyles Leffler about 1 month ago -
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I think the reason he bought the poison was obvious - to kill Edgar's father. He kept repeating that you could get anything you wanted in life if you were willing to 'go slow' enough. He must have been planning to do what he did for years. I liked that the ending was abrupt and unexpected, life doesn't necessarily work out the way it should and this ending reflects that.
Facebook User about 1 month ago -
Agreed - ending was abrupt and unsatisfying. Why did Claude buy the poison? Why did he kill everyone? Worst of all, there was zero redemption for Edgar or Trudy. 600 pages, and I feel cheated.
Melissa Hemdal Orlando about 1 month ago -
Like a lot of people here, I didn't like the way it ended. There were too many unanswered questions; like, I kind of hoped that the Hachiko connection would come to something greater and the reason why Claude first bought the poison would be explained. I felt frustrated that Edgar never got the satisfaction of proving to Trudy what Claude had done to his father. And she is left all alone never knowing.
It was still an enjoyable read and the parts written from Almondine's perspective were so beautiful.
Facebook User about 1 month ago -
The ending really ticked me off. I should of known, of course, because Oprah recommended it. She loves it when everyone dies at the end! Errrgh.
Dawn Charrier Takeuchi about 1 month ago
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