Here, Bullet
Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James' own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner's yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, un... (show more)
Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James' own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner's yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, unflinching description but, remarkably, leave the reader to draw conclusions or moral lessons. Here, Bullet is a must-read for anyone who cares about the war, regardless of political affiliation.
Here, Bullet
If a body is what you want,
then here is bone and gristle and flesh.
Here is the clavicle-snapped wish,
the aorta's opened valves, that leap
thought makes at the synaptic gap.
Here is the adrenaline rush you crave,
that inexorable flight, that insane puncture
into heat and blood. And I dare you to finish
what you've started. Because here, Bullet,
here is where I complete the word you bring
hissing through the air, here is where I moan
the barrel's cold esophagus, triggering
my tongue's explosives for the rifling I have
inside of me, each twist of the round
spun deeper, because here, Bullet,
here is where the world ends, every time.
Brian Turner earned an MFA from the University of Oregon and lived abroad in South Korea for a year before serving for seven years in the US Army. He was an infantry team leader for a year in Iraq beginning in November 2003 with the 3rd Stryker Brigade Combat Team, 2nd Infantry Division. Prior to that, he was deployed to Bosnia-Herzegovina in 1999 with the 10th Mountain Division. His poetry has been published in Poetry Daily, The Georgia Review, and other journals, and in the Voices in Wartime Anthology published in conjunction with the feature-length documentary film of the same name.
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I introduced Brian Turner on 4/21/09 at an SIUE reading. This was my introduction:
Brian Turner received his MFA from the University of Oregon prior to serving seven years in the United States Army. He was an infantry team leader for a year in Iraq beginning November 2003, with the 3rd Stryker Brigade Combat Team, 2nd Infantry Division. He was also deployed to Bosnia-Herzegovina in 1999-2000.
Here, Bullet was written while Turner was serving in Iraq. Because of the immediate nature of this... (show more)
I introduced Brian Turner on 4/21/09 at an SIUE reading. This was my introduction:
Brian Turner received his MFA from the University of Oregon prior to serving seven years in the United States Army. He was an infantry team leader for a year in Iraq beginning November 2003, with the 3rd Stryker Brigade Combat Team, 2nd Infantry Division. He was also deployed to Bosnia-Herzegovina in 1999-2000.
Here, Bullet was written while Turner was serving in Iraq. Because of the immediate nature of this work, Turner’s poems are a true and vivid glimpse of what the war is. Poems take the reader directly to the desert, into the anxiety of not knowing who the enemy is, and into the voice of Iraqis just trying to feed their families, yet Turner says “I have no words to speak of war.” This humble statement reminds the reader that there is so much that can’t be spoken, so much left to be said, so much left to be understood.
Turner is not making a political statement about the Iraq War with this book. He treats this subject matter objectively, letting the reader draw his or her own conclusions about the place war holds in this society. Innocent bystanders, soldiers and the culture of a war zone are all effected by the frequency of death. Here, Bullet empathetically reveals the complexities of this environment.
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During Turner's reading, I was surprised to discover that he was, in fact, making a political statement. The poems say away from this, however, asking the reader to ponder the realities and the purpose of war. (show less)Already read
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Since this book of poems has been lauded in places like <The New York Times and on NPR, my comments here may seen extraneous, but I believe--regardless of its flaws--that this remarkable collection is one that ought to be read.
The thematic focus on the war in Iraq (as well as intimations of the regions history) make this among the more moving books I've read in the last few years. The poems in Brian Turner's debut collection focus unflinchingly at the realities of war from his positi... (show more)
Since this book of poems has been lauded in places like <The New York Times and on NPR, my comments here may seen extraneous, but I believe--regardless of its flaws--that this remarkable collection is one that ought to be read.
The thematic focus on the war in Iraq (as well as intimations of the regions history) make this among the more moving books I've read in the last few years. The poems in Brian Turner's debut collection focus unflinchingly at the realities of war from his position in the United States military. However, unlike the poetics of war to which we've become accustomed (jingoism like that of Rudyard Kipling on the one hand, and protest poetry on the other), Turner navigates the details of the world, providing crisp narratives, such as " The Al Harishma Weapons Market," which describes a day in the life of a black-market arms dealer (whose armaments likely aided insurgent groups Turner was fighting) with startling compassion, alongside surreal lyrics--like the series of "Dreams from Malaria Poems"--of surprising beauty that seem ever haunted by violence. More, Turner details the war around him without succumbing to melodrama. Instead, poems, such as "2000 lbs" and "9-Line Medevac" strive--and largely succeed in their attempt--to capture the chaos, fear (straying into paranoia), and destruction of the environment.
From a technical standpoint, the poems are not overly impressive, and you could doubtless find a more accomplished poem or two in any major literary journal. Instead, Turner's largely plain-spoken style, allows the content in these poems--rather than their craftsmanship or facility for surprising language--to remain our focus, and that content is vital.
This book is a missive from a setting few of us have ever seen, from a conflict none of us would ever want our children to witness. Read it to learn. (show less)
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