Content wise the best read I have ever had! Its the only book that address my personal time and geographical context and hence I completely relate... (show more)
White Teeth: A Novel
Zadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own.
At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable tr... (show more)
Zadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own.
At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.
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Marginal wit, verbose, and absolutely cluttered with "literary conceits" (aka gimmicks). Predictable with a thoroughly anti-climatic climax. It too... (show more)
Marginal wit, verbose, and absolutely cluttered with "literary conceits" (aka gimmicks). Predictable with a thoroughly anti-climatic climax. It took me a full three weeks to finish this, which is a bad sign, though in fairness I was drunk for most it. Thanks to Smith I now hate Muslims, Jehovah's posse, twins, eggs with mushrooms, skin conditions, white women, middle-class white women, slutty white women (I'm particularly upset at Z-dog for this one), the English, Bengalis, Pakis, red-headed step children, printed accents, folded paper, Nazis, pot, fags (as the brits call em), intelligence, genetically altered mice, Bulgaria, etc etc ad fucking nauseam (show less)
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There was a point about halfway through the book where I almost hurled it against the wall in frustration but I didn't.
She almost had me. Zadie Smith is smart and I'd daresay there are few that can compete with her sense of humor. She has a way with a phrase and it's probably to your own benefit not to drink a beverage while reading her prose. In all likelihood it will soon be coming out of your nostrils.
But some of her characters (particularly Samad Iqbal) were completely unsympatheti... (show more)
There was a point about halfway through the book where I almost hurled it against the wall in frustration but I didn't.
She almost had me. Zadie Smith is smart and I'd daresay there are few that can compete with her sense of humor. She has a way with a phrase and it's probably to your own benefit not to drink a beverage while reading her prose. In all likelihood it will soon be coming out of your nostrils.
But some of her characters (particularly Samad Iqbal) were completely unsympathetic and this hurt considering the significant amount of words that were devoted to him. I really felt like I was speed reading through some parts just to get to where it "got good again".
I liked this book though. Wasn't great but good. Masterful plot, great characterizations and funny. For a debut novel I think it sets the bar pretty high and I look forward to reading more of her work.
In a couple of years I will definitely revisit this one. (show less)
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Really, really long. Not that prolixity, in itself, should be a deterrent, but I felt like Smith got really carried away. At page 200, I found myself thinking, 'wow, this book is long.' At page 250 I couldn't believe that I was only a little more than halfway through. By the time I hit 325 I was ready for her to wrap it up. And what did i get for slugging through 440+ pages that should have been, at most, 300? One of the worst endings in recent memory. When you read the final few lines,... (show more)
Really, really long. Not that prolixity, in itself, should be a deterrent, but I felt like Smith got really carried away. At page 200, I found myself thinking, 'wow, this book is long.' At page 250 I couldn't believe that I was only a little more than halfway through. By the time I hit 325 I was ready for her to wrap it up. And what did i get for slugging through 440+ pages that should have been, at most, 300? One of the worst endings in recent memory. When you read the final few lines, you can almost hear her publisher saying, "Listen, we need the manuscript now. Just cut it off. Don't worry - there's already plenty of hype. No one will even notice."
As for the story itself, I'd say about 65 percent is brilliant - astute observations about race, class and, most surprisingly, aging. This book really demonstrates Smith's ability to hone in on the emotional and cognitive changes that occur as young men become middle-aged men, as children become teens, as families grow and expand into more intricate experience-laden versions of themselves. If 65 percent is brilliance, an additional 10 or 15 percent is pure comedy - hilarious descriptions and ingenuous scenarios. However, the remaining 20 to 25 percent is absolute fluff - like I said earlier, Smith getting carried away. I understand all of the hype around this book - it's incredibly well-written and mostly entertaining, but it could have benefitted from some serious editing. I also didn't really like the direction she took towards then end with Millat and Joshua Chalfen (you'll see what I mean.) Overall, probably worth the read if you have the patience to deal with a somewhat self-indulgent author. (show less)
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I found it overrated and too verbose in retrospect. I enjoyed author's wit (at times) but most days I questioned why I was reading it. It did not entertain me well.
Ania Kujawska 7 days ago -
This is the kind of book you appreciate for its ideas rather than its emotional resonance. It won't make you cry, it won't leave you shaken to your soul, but it will make you laugh and think. White Teeth is an intriguing exploration of religion, fate, the immigrant experience, our everyday self-deceptions, and the perpetual conflict between intellectualism and spiritualism. Smith writes ecstatically, but some readers may find her prose too verbose, too overwritten, and too circumspect. Personally, I loved her style. It was unique: learned and savvy at the same time. Once you get used to it, you overlook the unnecessary descriptors and the gimmicky verbal structures and even Smith's keenness for italics. Bottom line: I liked this novel very much and I highly recommend it.
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