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Nine Stories

J.D. Salinger
 
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In the J.D. Salinger benchmark "A Perfect Day for Bananafish," Seymour Glass floats his beach mate Sybil on a raft and tells her about these creatures' tragic flaw. Though they seem normal, if one swims into a hole filled with bananas, it will overeat until it's too fat to escape. Meanwhile, Seymour's wife, Muriel, is back at their Florida hotel, assuring her mother not to worry--Seymour hasn't lost control. Mention of a book he sent her from Germany and several references to his psychiatrist... (show more)

In the J.D. Salinger benchmark "A Perfect Day for Bananafish," Seymour Glass floats his beach mate Sybil on a raft and tells her about these creatures' tragic flaw. Though they seem normal, if one swims into a hole filled with bananas, it will overeat until it's too fat to escape. Meanwhile, Seymour's wife, Muriel, is back at their Florida hotel, assuring her mother not to worry--Seymour hasn't lost control. Mention of a book he sent her from Germany and several references to his psychiatrist lead the reader to believe that World War II has undone him.The war hangs over these wry stories of loss and occasionally unsuppressed rage. Salinger's children are fragile, odd, hypersmart, whereas his grownups (even the materially content) seem beaten down by circumstances--some neurasthenic, others (often female) deeply unsympathetic. The greatest piece in this disturbing book may be "The Laughing Man," which starts out as a man's recollection of the pleasures of storytelling and ends with the intersection between adult need and childish innocence. The narrator remembers how, at nine, he and his fellow Comanches would be picked up each afternoon by the Chief--a Staten Island law student paid to keep them busy. At the end of each day, the Chief winds them down with the saga of a hideously deformed, gentle, world-class criminal. With his stalwart companions, which include "a glib timber wolf" and "a lovable dwarf," the Laughing Man regularly crosses the Paris-China border in order to avoid capture by "the internationally famous detective" Marcel Dufarge and his daughter, "an exquisite girl, though something of a transvestite." The masked hero's luck comes to an end on the same day that things go awry between the Chief and his girlfriend, hardly a coincidence. "A few minutes later, when I stepped out of the Chief's bus, the first thing I chanced to see was a piece of red tissue paper flapping in the wind against the base of a lamppost. It looked like someone's poppy-petal mask. I arrived home with my teeth chattering uncontrollably and was told to go straight to bed." (show less)

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Reviews (See all 882) Write a reviewfor this

It's a hit!

This book (or collection rather) reinforced my love of Salinger's work. Absolutely nobody can do dialogue like he can. Each story is based on two o... (show more)

This book (or collection rather) reinforced my love of Salinger's work. Absolutely nobody can do dialogue like he can. Each story is based on two or three main conversations that reveal something about the character's lives and why they do what they do. What makes these particular stories so interesting is their endings: nearly everyone cuts off with an anticlimax. While this may be frustrating to some readers, I personally believe it makes for more thought provoking literature. The ending to the first story, "A Perfect Day for Bananafish," will leave you completely dumbfounded. Just as reader of other Salinger works, I personally loved how he brought in the Glass family again for another installment at this point. Typical to Salinger's themes, most of the stories have a central child character. "Down at the Dinghy," one of the most touching of the collection, perfectly depicts a conversation between a mother and child. Salinger does an excellent job of including all of the nuances of speech and action that would be present. Overall, each story shows the reader just a snippet of everyday life and makes him feel as if that's enough. Salinger does what is necessary to know the characters, with nothing more to add. It is up to you to make sense out what you've just read and assign purpose to it. This book is definitely worth the read if you are willing to step into nine lives just for a period with everything else on either end of the story left up to you. (show less)

 
Nathan Kemper
 
by Nathan Kemper
No, it's a flop!

This book (which bears little stylistic resemblance to Catcher in the Rye) contains a couple of decent stories, namely "A Perfect Day for Bananafis... (show more)

This book (which bears little stylistic resemblance to Catcher in the Rye) contains a couple of decent stories, namely "A Perfect Day for Bananafish" and "The Laughing Man," and a lot of mediocre ones that are all more or less the same. Unless you want to invest some real time into picking them apart, the book as a whole probably isn't worth reading. There are also interactions between adults and children that are suspicious at best, and downright scary at worst. (If you happen to have read "Hapworth 16, 1924" by Salinger, the sexual implications are even harder to ignore). (show less)

 
 
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More Reviews
  • Chema Solari

    For Esmé (With Love and Squalor) has to be one of the most powerful stories I have ever read. Salinger's work is mindblowing.

     
    by Chema Solari on Dec 15, 2007 at 01:09AM

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  • Ginny DiGuiseppi
    Super_review

    I can honestly say that I owe a lot of my growth as a writer to this book of short stories. J.D. Salinger is one of my biggest influences in short stories. I was never very good at them, and I wasn't sure why. Then I read this book and realized that what Salinger excels at is dialogue. In fact, most of these stories are carried on dialogue alone. The actual description is minimal, which not only leaves you to focus on the interaction between the characters, but is impressive beyond belief, si... (show more)

    I can honestly say that I owe a lot of my growth as a writer to this book of short stories. J.D. Salinger is one of my biggest influences in short stories. I was never very good at them, and I wasn't sure why. Then I read this book and realized that what Salinger excels at is dialogue. In fact, most of these stories are carried on dialogue alone. The actual description is minimal, which not only leaves you to focus on the interaction between the characters, but is impressive beyond belief, since dialogue is such a difficult thing to write well. I feel that my dialogue is heavily influenced by Salinger's, mainly in this book alone. I highly encourage writers to read this book for examples of brilliant and flawless dialogue, and I encourage readers to read it simply because it's fantastic. Thought-provoking, intelligent, varied and amusing; everything a book of short stories should be. (show less)

     
     
    by Ginny DiGuiseppi on Aug 05, 2009 at 11:43PM

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  • Caitlyn Leiter-Mason 38

    Favorite Story?

    Isn't that a cruel question? I can never pick just one; they're all so marvelous, but I particularly adore The Laughing Man and Uncle Wiggily in CT. I also remember Teddy being just so tragic but perfect. It's been awhile since I've read them, but I still just adore them, along with everything Salinger writes. Thoughts?

    Caitlyn Leiter-Mason about 1 year ago
     
     
     
     
     
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